Outpost Artists Resources is a non-profit arts organization located in Ridgewood, Queens. We have been serving the arts community since 1990 providing access to video, sound services and new media assistance at well below market rates. In 2003, we began the Cuts and Burns Residency Program, which provides artists with free access to our facility including personal assistance by our staff of video editors, audio engineers, and computer programmers

  • Cuts and Burns Residency
    ENDE TYMES festival

    Outpost Artists Resources supports new creative work through its residencies, and events – its mission is to serve artists in need of technical assistance with video, audio, and physical computing based art projects and to foster a dialogue between visual art and experimental music. Outpost hosts gallery exhibitions, artists talks, screenings and events that pair visual art, video, experimental music, and performance in an effort to bring adventurous audiences challenging interdisciplinary projects.

  • Recent Posts
    Fire Over Heaven: Gold Dime, Che Chen, David Watson, January 18, 7:30 - 10pm
    No comments | by admin | posted on Thursday, January 4th, 2018
    DING3, Friday December 15, 7-9pm
    No comments | by admin | posted on Friday, December 8th, 2017
  • Get in Touch

    Outpost is Located at

    1665 Norman St.
    Ridgewood NY 11385

    Contact details

    Tel: 718. 599.2385
    fax: 718.679.9687
    E-mail: outpostedit@gmail.com

Max Neuhaus

Max Neuhaus Listening Sessions
Special reception Sundays, October 11 and 25 from 2-5pm or by appointment.
As part of the Checkered History exhibition, Outpost presents a reconstruction of artist Max Neuhaus’ 1979 sound installation, Five Russians, originally made for the tower chamber of the legendary Clocktower Gallery in Tribeca. Widely known in New York for his permanent sound installation in perpetual play under a subway grating in Times Square, percussionist Neuhaus (1939-09) was a renowned interpreter of contemporary and experimental music widely credited as the father of “sound sculpture”.

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